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Crafting Luxury

為了解決AN Jewelry的問題，作者Bloomfield, Mark,Borstrock, Shaun,Carta, Silvio 這樣論述：

Mark Bloomfield is a designer and visiting professor in the School of Creative Arts at the University of Hertfordshire, UK. He has worked in film and TV making jewelry for Titanic, Judge Dredd, Tolkien, Gentleman Jack, and The Crown. Shaun Borstrock is a luxury brand strategist and associate dean of

business, innovation, and projects, and head of the Digital Hack Lab in the School of Creative Arts at the University of Hertfordshire, UK. Silvio Carta is an architect, associate professor, and head of art and design in the School of Creative Arts at the University of Hertfordshire, UK. He is the

author of Big Data, Code and the Discrete City: Shaping Public Realms and Machine Learning and the City Reader. Veronica Manlow is professor in the Department of Business Management at the Murray Koppelman School of Business at Brooklyn College. She is the author of Designing Clothes: Culture and Or

ganization of the Fashion Industry and coeditor of Global Fashion Brands: Style, Luxury, History, also published by Intellect.

AN Jewelry進入發燒排行的影片

「荒漠花園」園藝療癒的首飾創作- 以多肉植物為例

為了解決AN Jewelry的問題，作者廖珮君 這樣論述：

作者自己本身喜歡種植多肉植物，從多肉植物的型態與細微的觀察中獲得療癒與舒壓感受，療癒一詞源自於日本，能與食衣住行育樂等方面進行結合，產生專門讓人紓緩壓力的治療方式。療癒的種類可分：園藝療癒、藝術療癒、音樂療癒、娛樂療癒、媒體療癒、商品療癒等，本研究主要針對園藝療癒結合金工首飾創作的方式進行研究，園藝療癒來自園藝治療(Horticultural therapy)最早可追朔至古埃及時代，讓情緒波動的病人漫步花園，藉以穩定情緒，本研究針對視覺刺激的園藝療癒為主，以園藝與種植方式進行的治療活動不再本次研究範圍中。本研究分析多肉植物其造型、質感與療癒對應之關係，並以多肉植物療癒問卷結果應用於創作中。研

究方法以個案研究法規整分析當代金工首飾藝術家以琺瑯、樹脂為主要作品，創作應用於植物型態的首飾設計中，本研究依據個案研究法的規整，結合文獻探討中多肉植物形態與質感分析，在後續創作中進行組合並重構。並將琺瑯與樹脂上色技法應用表現多肉植物的質感、色彩，在金屬胎體與上色實驗中也嘗試加入不同的材質與燒製方式來呈現，並創作出「荒漠花園」四個系列之作品，分別為「生長」、「茁壯」、「綻放」、「寧靜」，從生長、茁壯到綻放並達對於療癒的寧靜，是作者在種植與創作多肉植物的金工首飾作品中的體悟。之後並進行後測問卷以李克特式7點量表，共128人進行施測，研究結果顯示，本次創作作品對於大眾具有療癒感受，其中以「綻放」系列

，療癒感受為最高。

Navajo and Pueblo Jewelry Design: 1870-1945

為了解決AN Jewelry的問題，作者 這樣論述：

This richly illustrated study of Southwestern Indian jewelry-design history is a must-have for collectors, jewelry designers, and students and scholars of Native American arts. Southwestern Indian jewelry inspires admiration and creativity through its beauty, mastery, and meaning. Delve into this

fascinating and creative world with renowned design historian Paula Baxter as she explores the work of Navajo and Pueblo craftspeople in the years following the American Civil War to the end of World War II. During this productive 75-year period, Native American jewelry became increasingly popular

in the US and international marketplace. Collected and celebrated as examples of true American artistry, these works continue to be highly desirable and eminently wearable. Through Baxter’s well-researched yet accessible text and more than 450 color images, readers will come to understand how Navajo

and Pueblo silversmiths and jewelry makers exercised critical judgment to retain control over their inventive designs. Starting in the 1870s, these artisans interwove tradition, new fabrication methods, and personal vision to create works both for tribal adornment and tourist commodity. From the tu

rn of the century to the 1940s, these designs evolved in harmony with the emerging modernist aesthetic. Native jewelry was winning critical attention and praise, becoming highly desirable products in the national and international marketplace. Follow the development of Navajo and Pueblo jewelry chro

nologically, from design origins to the pairing of silver and stone to the modernist styles around midcentury. Included are historical timelines, boxed supplemental information, a glossary of key terms, and an extensive bibliography. Written by a recognized authority and the author of such go-to ref

erences as Southwest Silver Jewelry and The Encyclopedia of Native American Jewelry, this book is destined to become a classic in the field. Contents Introduction 1. Design Origins 2. Design up to 1870 3. The 1870s and 1880s: The Early Years of Jewelry Fabrication 4. The 1890s: Pairing Silver with

Stone 5. 1900-1915: Reevaluating Commercialism 6. 1916-1930: Classic Design 7. The 1930s: Patronage and Expansion 8. 1940 to War’s End: Patriotic Craft--or Art? 9. The View from Midcentury Appendix A. Short Glossary of Key Pre-1945 Techniques and Tools Appendix B. Collector Market and Valuation Appe

ndix C. Key Smiths and Jewelers Active before 1945

內在地圖－李冠儀當代首飾創作論述

為了解決AN Jewelry的問題，作者李冠儀 這樣論述：

創作做為一種語言，闡述創作者的所見與不可見，透過創作抒發內在沈潛的聲響，收束感知所獲得的複雜資訊，發掘記憶或者覺察生活，將感知裡所體驗的線索轉化成為創作形式，藉由創作將內在的意象體現為實體，從創作過程裡尋獲獨樹一幟的思維，藉此得到療癒或抒發內在的創作目的。本創作論述整理筆者對於家庭經驗及創作的疑惑，探究是否有股力量，亦或是某些徵兆不斷刺激創作者觸發探索的動力，致使創作者起心動念，規劃創作的內容，並付諸行動實踐。筆者從自我發掘與學理研究探討創作意識如何產生，無形的力量如何作為引導，又源自何處？對創作者賦予哪些影響？創作的運作其實在身體裡發生了什麼事，最終創作又向創作者展現了什麼價值與意義？一系

列關於梳理家庭經驗，真實的解構並重建內在地圖與重新開啟感知的創作歷程，筆者試圖以創作療癒自我，藉由創作開展對感知的理解及觀看自我的向度，達成一種譬如抽離的模式遠觀自身，在沈浸於創傷與透過創作的暫時抽離之間，從擺盪於彼此間的感受顯現真實自我的存在，走向認同家庭的階段。創作以五個系列闡述認同家庭特質的歷程，首先是〈窺探系列〉體現筆者向早期經驗進行覺察的初始意象；〈破曉系列〉表述揭發家庭歷史後的情緒轉折；〈脈動系列〉呈現家庭關係與自身知覺經驗相互制約的衝突與糾結感受；〈疊加系列〉發想自記憶中故居地板的破碎補丁；〈容納系列〉則作為隱藏與收納記憶的空間。創作將內在的意象塑造並實踐，闡述了內心透過覺察所感

悟的風景。