Free music Archive的問題，透過圖書和論文來找解法和答案更準確安心。 我們查出實價登入價格、格局平面圖和買賣資訊

The Impossible City: A Hong Kong Memoir

為了解決Free music Archive的問題，作者Cheung, Karen 這樣論述：

Karen Cheung is a writer and journalist from Hong Kong. Her writing has appeared in The New York Times, Foreign Policy, The Rumpus, The Offing, and others. She was formerly a reporter at Hong Kong Free Press, and has worked for the Asia Art Archive, ArtAsiaPacific, and Still / Loud, an indie magazi

ne about music and culture in Hong Kong.

Free music Archive進入發燒排行的影片

賈木許電影美學之傳承與反動

為了解決Free music Archive的問題，作者林昱辰 這樣論述：

摘要本論文包含對於紐約學派（New York School）藝術與詩學的討論，以及該學派對於美國獨立電影導演吉姆・賈木許（James Roberto “Jim” Jarmusch，1953-）作品的影響，論文旨在耙梳紐約學派詩學之成立與成就，進而透過比較文學方法說明紐約學派詩學如何影響賈木許的電影內容，再說明其電影又如何在受紐約學派詩學影響下，透過電影語言與敘事達成並且延伸與紐約學派詩藝傳統之互文，表現出紐約學派注重「日常」與視覺藝術互動的跨文本性，得以實踐該詩藝的跨文類美學，並對現代快速資本社會提出質疑與反動。本論文主要研究的問題有三：（一）是關於紐約學派與視覺藝術的互文問題，即紐約學派如

何在視覺藝術中再現詩意與又如何在文學中呈現視覺。（二）是紐約學派的詩學又是如何融入並影響賈木許的電影。（三）則是藉由研究賈木許的電影，檢視融入紐約學派風格的賈木許電影如何呈現慢而反動的美學觀。本文將先最後透過影響研究方法與互文性理論來檢視紐約學派與其他文學與視覺藝術的互文關係，在檢視詩與畫之間的影響與風格手法的類比後，以法國馬克思主義哲學家和社會學家，列費維爾（Henri Lefebvre）日常生活與空間關注的理論，以日常研究的角度檢視賈木許這種關心日常的電影中的詩學觀，以及這樣的電影帶給了觀眾怎樣的視聽體驗。紐約學派的詩學是從藝術語言到日常語言的過程，但文字在愈趨白話而描寫之主題愈近日常的表

象背後，其實得見紐約學派一路受超現實主義、抽象表現主義與普普藝術甚至六〇年代電影文化等美學觀點之影響，將視覺藝術觀點帶入美國文學傳統，於此同時仍崇尚高度藝術性。紐約學派的詩學受到一九五、六〇年代在文學藝術風潮上由高端藝術（high-art）往普羅大眾都能一窺究竟的普普藝術（pop-art）轉變的影響而往個人化、日常化發展，而此轉變帶來的其實是更多文藝題材與探討議題的可能。求學時期的賈木許在哥倫比亞大學學習英語和美國文學，當時包括第一代紐約學派詩人肯尼思・柯赫（Kenneth Koch）、大衛・夏皮羅（David Shapiro）等人都在該校任教，同時也影響了當時想成為詩人的賈木許。賈木許的電影

美學自此受到紐約學派的影響，而重視對於日常的關心。一九八〇年拍攝第一部電影《長假漫漫》（Permanent Vacation）以來，投身電影已超過四十年的賈木許至今共拍攝十七部電影，因其作品數十年來堅持獨立製作，免受商業市場牽制，而得以保有個人身為「電影作者」之特性而受到評論者注意，作品並獲得眾多影展與電影競賽獎項，二〇一六年賈木許以「詩」為主題拍攝長片《派特森》（Paterson），並請紐約學派詩人朗・佩吉（Ron Padgett）為電影創作詩作，明白地體現了紐約學派對他創作的啟示。本文受此電影啟發，將紐約學派詩藝與賈木許電影美學之間的關係作整理與連結，從跨藝術研究與影響研究的基礎出發，首先

探討紐約學派所受的影響，再行探討紐約學派的特色與這些特色如何與賈木許的電影互文，最後討論受此影響而成就的賈木許電影作品之意義，為理解電影與詩作之間的影響與互文做出貢獻。

To Feel the Music: A Songwriter’s Mission to Save High-quality Audio

為了解決Free music Archive的問題，作者Young, Neil/ Baker, Phil 這樣論述：

Neil Young took on the music industry so that fans could hear his music--all music--the way it was meant to be heard. Today, most of the music we hear is com-pressed to a fraction of its original sound, while analog masterpieces are turning to dustin record company vaults. As these record-ings disap

pear, music fans aren't just losing acollection of notes. We're losing spaciousness, breadth of the sound field, and the ability tohear and feel a ping of a triangle or a pluckof a guitar string, each with its own reso-nance and harmonics that slowly trail off intosilence. The result is music that i

s robbed of its original quality--muddy and flat in sound compared to the rich, warm sound artists hear in the studio. It doesn't have to be this way, but the record and technology companies have incorrectly assumed that most listeners are satisfied with these low-quality tracks.Neil Young is challe

nging the assault on audio quality--and working to free music lovers from the flat and lifeless status quo.To Feel the Music is the true story of his questto bring high-quality audio back to musiclovers--the most important undertaking ofhis career. It's an unprecedented look insidethe successes and

setbacks of creating thePono player, the fights and negotiationswith record companies to preserve master-pieces for the future, and Neil's unrelentingdetermination to make musical art availableto everyone. It's a story that shows how muchmore there is to music than meets the ear.Neil's efforts to br

ing quality audio to his fans garnered media attention when his Kickstarter campaign for his Pono player--a revolutionary music player that would combine the highest quality possible with the portability, simplicity and affordability modern listeners crave--became the third-most successful Kickstart

er campaign in the website's history. It had raised more than ＄6M in pledges in 40 days. Encouraged by the enthusiastic response, Neil still had a long road ahead, and his Pono music player would not have the commercial success he'd imagined. But he remained committed to his mission, and faced with

the rise of streaming services that used even lower quality audio, he was determined to rise to the challenge.An eye-opening read for all fans of Neil Young and all fans of great music, as well as readers interesting in going behind the scenes of product creation, To Feel the Music has an inspiring

story at its heart: One determined artist with a groundbreaking vision and the absolute refusal to give up, despite setbacks, naysayers, and skeptics. Neil Young is one of the world’s most famous musicians, with millions of followers from around the world. He’s a Canadian singer-songwriter, musici

an, producer, director and screenwriter. His music career began in the 1960s, when he formed Buffalo Springfield with Stephen Stills. He joined Crosby, Stills & Nash, and has recorded solo albums with his backing bands Crazy Horse and Promise of the Real. Young has recorded a steady stream of studio

and live albums, now at 40. Young also plays piano, guitar, and harmonica on many of his albums, which frequently combine folk, rock, country, and other musical styles. Young has received numerous Grammy and Juno awards. He’s a member of the Rock and Roll Hall of Fame and is listed as the 34th grea

test rock ’n roll artist in Rolling Stone’s list of the 100 greatest artists of all time. He continues to tour and record new albums. Young has also directed motion pictures and has written two previous books, his autobiography Waging Heavy Peace: A Hippie Dream in 2012 and Special Deluxe: A Memoir

of Life & Cars in 2014. Young has appeared as a guest on many major network shows including The Late Show with Stephen Colbert, The Tonight Show Starring Jimmy Fallon, The Late Show with David Letterman, Saturday Night Live, The Big Interview With Dan Rather, and more. He continues to enjoy a huge f

ollowing, as exemplified by the recent introduction of his new online archives, with more than 300,000 signups and 8 million page views in the first week. Young is an environmentalist and outspoken advocate for the welfare of small farmers, having cofounded the benefit concert Farm Aid with Willie N

elson. Young also helped found The Bridge School, an educational organization for children with severe verbal and physical disabilities. Phil Baker has a long career developing consumer electronic products, as well as working as a technology journalist and author. He has developed many iconic produc

ts for Polaroid, Apple, Seiko, Barnes & Noble, Pono, and others. Baker is the author of From Concept to Consumer and has written award winning columns for the San Diego Transcript, Recode, and others. Phil holds more than 30 patents and was Ernst and Young Entrepreneur of the Year for San Diego. Phi

l and Neil began working together to develop the Pono Music Player in 2012 and continue to work together on other projects, including the recently introduced Neil Young Archives, an online archive of Young’s lifetime of works.

YouTuber如何影響觀看者資訊採用意願？－多元理論觀點之模型

為了解決Free music Archive的問題，作者林佩儀 這樣論述：

本研究整合多元理論探討YouTuber與觀看者之間的互動關係，具體而言，以「推敲可能性模型（Elaboration Likelihood Model, ELM）」、「社會影響理論（Social Influence Model）」與「社會認同理論（Social Identity Theory, SIT）」，建構YouTuber如何影響觀看者的資訊採用決策模型。本研究採用非隨機準實驗設計法（Quasi-Experiment Method）進行多元實證資料蒐集，以偏最小平方結構方程模型進行分析與假說驗證。透過620位曾使用社群媒體或YouTube的樣本分析結果顯示：YouTuber的「可信賴性（T

rustworthiness）」、「專業性（Expertise）」與「相似性（Similarity）」，內容的「創新性（Innovativeness）」、「豐富性（Richness）」與「關鍵多數（Critical Mass）」會透過「來源吸引力（Source Attractiveness）」與「資訊可信度（Information Credibility）」中介機制進一步影響觀看者的資訊採用意願（Adoption Intention），涉及了「順從（Compliance）－關鍵多數」、「認同（Identification）－來源吸引力」與「內化（Internalization）－資訊可信度」三

個社會影響過程。此外，本研究深化過去學理，發現YouTuber與觀看者間的「相似性」及內容的「創新性」，對於「來源吸引力」與「資訊可信度」的影響關係呈現非線性的現象。最後，本研究也延伸過去資訊採用決策的學理，發現YouTuber的「性別」與「年齡」會促進「YouTuber屬性特徵」對「來源吸引力」與「資訊可信度」之影響，觀看者的「性別」會促進「來源吸引力」與對「資訊採用意願」之影響；除了深化過去行銷傳播與社群媒體的文獻之外，也提供行銷經理人擬定行銷推廣方案之具體建議。