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Mazda Rotary-Engined Cars: From Cosmo 110s to Rx-8

為了解決Production icon的問題，作者Cranswick, Marc 這樣論述：

An in-depth look at the development history of Mazda’s rotary power plant, and the model timelines of the vehicles these engines powered. You will discover how one small Japanese automaker remained independent and became famous by using a unique and pioneering engine. Mazda Rotary-engined Cars ex

amines the commercial ups and downs in North America, using rotaries to become a high performance icon and V8 alternative, and charting the racetrack achievements of Mazda rotary racers around the world, including in home-country Japan. The story also reveals the pollution control and fuel economy

challenges facing Mazda as they strove to keep rotary engines in production to satisfy high performance fans globally.

Production icon進入發燒排行的影片

銀行業與保險業運用雲端服務與個人資料保護之合規研究

為了解決Production icon的問題，作者王綱 這樣論述：

雲端運算自2010年開始商業化迄今已逾10年的發展，隨著資訊技術在軟硬體方面的革新、網際網路效能提升和新興行動科技的問世，無論是在雲端服務的模式(如SaaS、PaaS、IaaS)或是架構(如公有雲、私有雲、混和雲與社群雲)上都逐漸成熟，也使雲端運算在各領域(例如:公部門、醫療、金融、物流等)的運用漸成為趨勢。銀行業與保險業在雲端運算的運用上之前多以私有雲來進行 (例如巨量資料分析、區塊鏈的智能合約、智能客服等)，主因是考量法規依據與個資保護等議題，所以對於委外雲端服務大多在評估階段。2019年9月30日完成「金融機構作業委託他人處理內部作業制度及程序辦法」修訂後，銀行業與保險業在委外雲端的運

用上有較明確的法規依據。日後便可依照相關辦法中所規範的原則建立委外雲端服務的系統架構。金融機構運用雲端服務的個資保護議題除了與「個人資料保護法」及「個人資料保護法施行細則」有關外，「金融機構作業委託他人處理內部作業制度及程序辦法」、「金融監督管理委員會指定非公務機關個人資料檔案安全維護辦法」、「保險業辦理資訊安全防護自律規範」等都是需要遵守的法規規範。在委外雲端服務的運用上若要符合個資保護的相關規範，就必須在委外雲端服務的合約中訂立適當的條款。合約中對於委外雲端作業的風險控管、委託者的最終監督義務、主管機關和委託者的實地查核權力、查核方式、資料保護機制、受託者權限管理、資料儲存地點及緊急應變計

畫等都應在委外雲端服務合約中載明，以利個人資料保護的執行。本篇論文以此想法為出發點，並以目前委外雲端服務中較具規模業者的合約為討論對象，說明一般委外雲端服務合約對於相關法規的涵蓋程度。

The Spree of ’’83: The Life and Times of Freddy Powers, W Exclusive Commentary from Willie Nelson and Merle Haggard

為了解決Production icon的問題，作者Brown, Jake,Powers, Catherine,Powers, Freddy 這樣論述：

Award-winning Music biographer Jake Brown has written 50 published books since 2001, featuring many authorized collaborations with some of rock’s biggest artists, including 2013 Rock & Roll Hall of Fame inductees Heart (with Ann and Nancy Wilson), living guitar legend Joe Satriani, blues legend Will

ie Dixon (authorized w/the Estate), country music legends Merle Haggard/Freddy Powers, heavy metal pioneers Motorhead (with Lemmy Kilmister), country rap superstar Big Smo, late hip hop icon Tupac Shakur (with the estate), celebrated Rock drummer Kenny Aronoff, legendary R&B/Hip Hop Producer Teddy R

iley, late Funk pioneer Rick James, and Mopreme Shakur. Brown is also author of a variety of anthology series including the superstar country music anthology ’Nashville Songwriter’ Vol I and II; the all-star rock producers anthology ’Behind the Boards’ Vol. 1 and 2; all-star Rock & Roll drummers’ an

thology ’Beyond the Beats, ’ and the ’Hip Hop Hits’ producers’ series among many others. Brown recently released the audio books BEYOND THE BEATS, DOCTORS OF RHYTHM and forthcoming SCIENTISTS OF SOUND Record Producers series and PRINCE IN THE STUDIO - The Hits 1977 - 1994 under a long-term deal with

Blackstone Audio, and has also appeared as the featured biographer of record on Fuse TV’s Live Through This series and Bloomberg TV’s Game Changers series, in all 6-parts of the BET ＂The Death Row Chronicles＂ docu-series. His books have received national press in CBS News, The Hollywood Reporter, R

olling Stone Magazine, USA Today, MTV.com, Guitar World Magazine, Billboard, Parade Magazine, Country Weekly, Fox News, Yahoo News, etc and writes for regularly for Tape Op Magazine (including the 2015 cover story feature with Smashing Pumpkins frontman Billy Corgan). In 2012, Brown won the Associat

ion for Recorded Sound Collections Awards in the category of Excellence in Historical Recorded Sound Research.Catherine Powers is co-author and screenwriter/producer of the forthcoming biopic ＂THE SPREE OF ’83,＂ and late country star Freddy Powers longtime wife, creative partner and caretaker over h

is 15 year battle with Parkinson’s Disease. Catherine co-founded and operated the Freddy Powers Parkinson’s Foundation, and is to date an admired figure in the Parkinson’s Disease community for her advocacy on Freddy’s behalf.The Los Angeles Times affectionately referred to late, great Country Music

star Freddy Powers, a ＂lauded songwriter＂ in the esteemed opinion of Rolling Stone Magazine, as the ＂Ol Blue Eyes’ of Country Music＂ and wrote that if you were to ＂ask country superstars Willie Nelson, George Jones or Merle Haggard (they’ll)...tell you that he’s one of country music’s best-kept sec

rets＂. The Texas Country Music Hall of Fame inductee has been to the top of the charts as both a producer for Willie Nelson’s Grammy-winning LP Over the Rainbow and a songwriter for many of country music legend Merle Haggard’s number one hits, including ＂Natural High,＂ ＂Let’s Chase Each Other Around

the Room Tonight＂ and ＂I Always Get Lucky With You＂, taken to the top by both Merle Haggard and George Jones, among many others. Freddy’s life story is now in production for adaptation to the silver screen, due to begin shooting in the fall of 2020.

音樂類型與音量對中高齡者之再認記憶與反應時間研究

為了解決Production icon的問題，作者林嫦娥 這樣論述：

音樂帶給人們生活上的娛樂，除了享受音樂旋律與節奏帶來的愉悅感，人們也常在工作時聆聽音樂來舒緩情緒與壓力，但音樂類型與不同的音量大小會帶給人們不一樣的感受與心情，此一現象是否影響工作的專注度與績效，成為一重要之課題，因此本研究主要想了解，中高齡者於辦公室之音樂偏好與現況以及不同音樂之偏好程度與音量大小對於判讀不同資訊量時之再認記憶與反應時間是否有差異，本研究以問卷調查法與實驗法來進行，首先以問卷調查法針對 62 位年齡在 45 歲~65 歲之中高齡者進行調查，了解喜歡與不喜歡之音樂類型，結果發現在問卷調查結果 (1) 中高齡者習慣的音樂類型依序為經典流行類、純音樂/純樂器演奏及時下流行音樂；而

偏好的音樂為流行通俗音樂、民歌及鄉村民謠音樂與古典音樂；(2) 不喜歡的音樂則為嘻哈、RAP、饒舌樂 / 電子舞曲 (EDM) 電音音樂 / R&B、靈魂節奏藍調、靈魂樂；(3) 聽音樂主要是令人心情快樂、愉悅，且紓壓、陶冶性情、培養興趣；(4) 聽音樂的習慣以智慧手機為主；(5) 工作時播放音樂的主導權在於自己；(6) 而工作與音樂的關係均呈現正向肯定的態度。實驗方法則根據問卷之結果挑選喜歡與不喜歡之音樂各三首作為音樂樣本，並搭以3種音量 (40、50、60dB)，以耳罩式耳機聆聽的同時進行4種訊息數量之圖片再認任務，並將圖片呈現時間以1.5、2.5、3.5秒進行測量，針對41位45至 65

歲中高齡者進行實驗，以了解對其再認記憶與反應時間是否有差異，實驗結果發現 (1) 音樂類型對正確率與反應時間無顯著影響；(2) 音量對正確率無顯著影響，對反應時間有顯著影響；(3) 圖片呈現時間與圖片數量對正確率與反應時間均有顯著影響。