Evoke的問題，透過圖書和論文來找解法和答案更準確安心。 我們查出實價登入價格、格局平面圖和買賣資訊

Moving Pictures: How Rush Created Progressive Hard Rock’’s Greatest Record

為了解決Evoke的問題，作者Romano, Will 這樣論述：

There’s nothing like it in the Rush catalog--or, indeed, in the entire prog-rock canon. Stylistically expansive and intellectually ambitious, 1981’s Moving Pictures was a landmark release, one that helped define the progressive genre and that ensured Rush’s place in the rock pantheon. In this def

initive account of the album’s creation and legacy, author Will Romano explores the rare alchemy behind a record that continues to inspire musicians and listeners even today. While Permanent Waves and Hemispheres were important releases in Rush’s evolution as a band, Moving Pictures marked a turning

point for the Canadian trio in more ways than one. It was not only a creative triumph but a commercial one, with sales and airplay that blasted them into the stratosphere of rock stardom. Beyond the individual power of its seven songs, however, the key to its lasting significance is the distinctive

overarching vision that Geddy Lee, Alex Lifeson, and Neil Peart brought to the album. As Romano shows, Moving Pictures reconciled opposing creative sensibilities to a remarkable degree, giving the record real thematic depth while at the same time rendering it the very antithesis of a concept album.

Each track was carefully layered with cinematic and multisensory meaning, paradoxically using music to evoke experiences beyond the strictly aural. Consistently insightful and frequently surprising, this book is filled with behind-the-scenes details based on new research and interviews, and it guid

es readers through the album’s dizzying array of allusions and inspirations. Newbies and fervent Rush fans alike will find this an illuminating exploration of one of the band’s most enduring achievements.

Evoke進入發燒排行的影片

屬於我這客家世代的「民歌」（民聲）採集與創作——從臺灣雲林詔安客來的田野訊息與歌曲製作

為了解決Evoke的問題，作者賴彥君 這樣論述：

        當客家族群在臺灣這片土地，一面辨識自身的族群樣貌、一面建構屬於臺灣的在地認同，擁有臺灣客家意識的各類型創作成了作為描繪當代客家族群的另一種可能。屬於臺灣客家的音樂創作，已然自許多當代客家流行音樂的討論中得以窺見與聆聽。但回顧過去，屬於臺灣客家亞族群的雲林詔安客歌謠、歌曲的發展情形，卻顯得少數又隱形。        筆者藉由製作六首新創客家歌曲的過程認識當代雲林詔安客家族群，使用民族誌田野的方式進行音樂創作，並藉由本文將實踐過程與成果記錄下來。        藉由這項實踐探討何謂使用民族誌田野的方式進行音樂創作？如何從雲林詔安客來的田野訊息完成歌曲創作？採用民族誌田野創作的思索

與建議為何？        2000年起，有關臺灣詔安客的學術研究持續增加，主題不外乎關於詔安客語、臺灣詔安客認同等研究，在這些研究當中也能了解臺灣詔安客面臨了幾項困境：詔安客語嚴重流失、世代間嚴重的文化斷層、族群認同危機等，因此透過客家歌曲的創作實踐，希冀能增進大眾對臺灣客家亞族群議題的重視與行動。        雲林詔安客目前較多居住於雲林縣二崙、崙背一帶，本文以民族誌研究與田野調查的視野進行原始資料的採集，以參與觀察作為研究策略。本文透過在2020年夏季於二崙、崙背的實際田野，以及2021年離開田野後進行的創作歷程，彙整後完成本文的基本架構內容。        本文研究發現：1.    

    使用民族誌田野的方式進行音樂創作是進入田野對當地文化與民聲進行採集，並透過田野訊息分析進行音樂創作的方法。這個創作方式能夠瞭解族群樣貌、記錄族群聲響，也能使創作者貼近相對陌生的亞族群議題。2.        由雲林詔安客來的田野訊息創作，描繪當代雲林詔安客家元素的存在場景，是以歌曲再現當代雲林詔安客真實的樣貌與記憶，建構具有在地性、異質化客家表徵的雲林詔安客家新創歌曲。也藉由這樣的歌曲創作歷程「將個人置身於當地，書寫歌謠民族誌的方式」視為當代客家文化的一種社會實踐。3.        民族誌田野創作歷程是研究者透過「看見族群差異、與族群差異對話」來參與「雲林詔安客找尋自身當代意義」的現

場，進行「突顯差異的傳統—歌謠民族誌創作」的過程。

The End Is at Hand

為了解決Evoke的問題，作者 這樣論述：

Apocalypse, maybe? No one wants to be the middle child of history. Thinking about surviving the apocalypse feels significant, like we’re part of the eternal cosmos, instead of just another organism passing along an infinite timeline. We all want to experience something remarkable in our lifetimes

...even if that something results in our own demise.The End is at Hand is a collection of short essays about how people throughout history believe the world could end. The book explores how it has all ended before, when we mistakenly thought it would end again, and the many ways it could end in the

future. Though organized chronologically, beginning with prehistoric extinctions and extending in the distant future when the universe may (or may not) collapse. Nothing lasts forever, including the worlds we inhabit - human society, our planet, or the entire universe.The End is at Hand entertains a

s much as it informs, striking a balance of wry humor with scientifically backed research. Author Darrell Perkins complements these cataclysmic tales with finely crafted linocut illustrations that beautifully evoke impending doom.Darrel Perkins is a printmaker, illustrator, and educator from Provide

nce, Rhode Island, USA. He earned an MFA in illustration from Edinburgh College of Art in Scotland. His work has been exhibited and published throughout the US, Europe, and the Middle East over the past ten years. Perkins is currently a professor of Visual Communication at American University in Dub

ai.

兒童與青少年情緒行為問題音樂介入成效之系統性回顧與後設分析

為了解決Evoke的問題，作者張凱淋 這樣論述：

研究目的探討在兒童與青少年情緒行為問題方面音樂介入之成效，以及不同研究特徵之次群組與效果量的比較。研究方法本研究採用系統性回顧法，使用 PubMed、MEDLINE、ScienceDirect、Airiti Library、中國知識資源總庫等五個資料庫，以「音樂治療（music therapy）」AND「情緒問題（emotion problem）」、與「音樂治療（music therapy）」AND「行為問題（behavior problem）」為關鍵字，搜尋自 2010 年 1 月至 2020 年 12 月間出版之文獻，並以 RevMan 5.4 統計軟體進行文獻品質評估與後設分析。研究結

果共納入 10 篇文獻進行後設分析，結果顯示音樂治療介入對改善兒童青少年情緒行為問題具有良好的成效，在情緒問題方面，達高度效果量（SMD= -0.84, CI: -1.25~-0.44）；在行為問題方面，效果量為低度效果（SMD= -0.44, CI: -0.60~-0.27），兩者皆達顯著差異；而在利社會行為方面之介入效果（SMD= 0.13, CI: -0.0~0.34）則未達顯著差異。透過次群組分析顯示不同評估來源、介入理論與介入強度，是異質性高或低的影響變項。研究結論整體而言，音樂介入對兒童與青少年的情緒行為問題的改善有顯著的效果，而在親社會行為的效果雖然不顯著，仍可看出結果偏向於音樂

治療介入的趨勢。本研究綜合過去十年國內外之研究，提供兒童青少年情緒行為問題音樂介入成效概況，做為未來實務及研究者之參考。